Monday, January 20, 2020

Flattery in Pride and Prejudice Essay example -- Pride and Prejudice

Flattery in Pride and Prejudice Since its composition in 1797, Jane Austin's Pride and Prejudice has enjoyed two centuries of literary esteem not because of its witty dialogue or its tantalizing plot, but because of its universal themes that allow modern readers to identify with early Victorian life. Although the novel focuses on the etiquette of courtship, related social rituals are also prevalent throughout the story. William Collins, a rector in Pride and Prejudice, uses excessive flattery to persuade people to look upon him favorably. He even lavishly praises himself to enhance his self-esteem. While the sycophant's peculiar behavior is comical at first glance, its emphasis in the story portends a greater social meaning that is illuminated upon evaluation of his flattery with relevance to the plot. In Pride and Prejudice, Austin suggests through Collins' mannerisms that one flatters others to enlist their future support and one flatters oneself to ensure individual prosperity. Pertaining to others, Austin endows Collins with a motive of personal gain and later removes that objective, establishing a strong correlation between flattery and selfish advantage. As the legal heir to the Bennet family's estate once its patriarch dies, Collins offers unwarranted praise along with his hand in marriage to one of the daughters. Apart from flattering the family to marry one of its girls, his profuse compliments also extend to his wealthy benefactress and also, of course, to himself. However, Collins' compliments toward the family end after he fails to marry on... ...lattery may have academic influence, she allows Collins to smother praise on anything that might prove advantageous to his affluence, from which one may surmise that flattery contributes to personal prosperity in any form. This truth becomes readily apparent upon contrasting Collins' behavior in situations wherein he may or may not have something to gain through flattery. Of course, this mundane reiteration about flattery must be particularly monotonous to a reader who has already demonstrated a profound grasp of literature by deftly maneuvering through and deliberating upon mistakes previous to this point, so it is for that intelligent and sophisticated reader that this paper ends abruptly. Work Cited Austin, Jane. Pride and Prejudice. Norwalk: The Easton Press, 1997.

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